No 17, Jalan Hang Jebat, Malacca. This is one of my watercolours done in the 1990, from a collection of 64 paintings of the facades of early shophouses in Penang, Malacca, Kuala Lumpur and Singapore. These watercolours were my way of contributing to the documentation and conservation of our architectural heritage.

As the legend goes, Malacca was founded by Parameswara, the fugitive with his group fleeing from Singapore, about 500 years ago. Later he went on to establish the first Malacca Sultanate in the 15th century.

At that time Malacca was a natural port that sheltered the sailors from the north-east and south-west monsoons in this region. The monsoons were one of the keys to the success of Malacca as a trading port in the early sailing years. The winds brought the Arabs, Indians and then the Europeans from the West and the Javanese, Bugis and Chinese from the East.

As years went by, due to its increasing strategic and commercial importance, Malacca became a battle ground as the colonial world powers and the local warlords fought to control it.

But despite all the wars and violence in the waters of the Malacca Straits, many of the early sailors, traders, pirates, warriors and labourers of various races established their new homes in Malacca.

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The area and community of Tasik Chini was what attracted a group of Asian Public Intellectuals (API) to gather there this year. This group of about 30, with two members each from Indonesia, Japan, Philippines and Thailand with the remaining number from Malaysia, was there as part of their regional project based on the common element — water.

Tasik Chini was their last stop. Since 2008, this group has visited the Kali Code River in Yogyakarta; Biwako Lake, the largest lake in Japan; the Tapee river in the Khiriwong community in south Thailand and the Batanes islands north of the Philippines.

Hezri Adnan was the leader of this site visit. He is an academic at UKM and also a visiting Fellow at The Australian National University. He said, “We are here to develop networking and collaboration within the API fellows in response to regional environmental challenges. The gathering here is to learn, document and promote local community knowledge and how they come to terms with the degradation of their traditional habitat — the water, lakes, forest and their communal life. We hope to learn from the indigenous Jakuns and then later frame an Asian perspective to mitigate these common and urgent environment issues.”

Tan Choon Ghee was one of the few Malaysian painters who had an eye and empathy for the common people (especially Penangites) and their multi- cultural daily street life. His highly-developed aesthetic sense could turn ordinary life at a street corner in his hometown of George Town into an exquisite watercolour, sketch, ink or oil painting.

Sadly, Choon Ghee, one of the true artistic sons of Malaysia, died at 80, on December 28, 2010 in Penang. However, many remember him and some of us would like to thank him for the inspiration from all the artworks he left behind (in private or public collections).

He painted for well over 30 years and during that time, he made frequent painting trips to European cities like Venice, London and Amsterdam.  His artworks will continue to attract those who value the skill of draftsmanship, composition, shapes, lines and colours in an artist’s personal touch.

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Speaking out for peace, justice and liberty can be a dangerous thing. Just speaking out against oppression of the authorities can mean jail, banishment or even death but this has not discouraged many individuals from doing so.

In 1948, on December 10, the General Assembly of the United Nations adopted and proclaimed the Universal Declaration of Human Rights, to promote the universal respect for and observance of human rights and fundamental freedoms. There are now 192 member states in the United Nations. All member states have to comply with the declaration but many countries continue to violate it.

The Nobel Peace award this December is a reminder of the importance of the 62-year-old document on human rights. This year it was awarded to Liu Xiaobo from China but he was not able to receive the honour personally.

He is serving a 12-year prison sentence in a Chinese prison. His crime is freedom of expression. He spoke out for a more open and democratic form of government for the Chinese people. China, of course, is an economic giant today but there are many voices of dissent there.

Last Saturday, December 11, for the third consecutive year, The Annexe Gallery in Kuala Lumpur had an awards ceremony for the Annexe Heroes Freedom of Expression Awards 2010.

This is also another commemoration of the existence of the Human Rights declaration. It was a modest event compared to the internationally renowned Nobel award ceremony. But it was just as significant.

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The Malaysian art scene has been opening up to many new vistas in the last few years. There are many more art galleries in Kuala Lumpur and in other towns, especially in Malacca and Penang.

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Hua Hin, Pattaya and Phuket are three major seaside towns in Thailand. Pattaya and Phuket are by far more popular with visitors who enjoy more than just the beaches and sun but also can’t do without the nightlife of the go-go bars, which the Thais do so well.

However, there are a growing number of both Thais and foreigners who prefer a quieter tropical seaside atmosphere, especially the elite and those of retirement age, and they choose to be in Hua Hin.

This fishing village was abandoned about 250 years ago during the fall of the Ayutthaya period and in 1845 it gradually came back to life. This may be because it’s near to Bangkok, just 281 kilometres south. The scenic location and its climate are ideal for Bangkokians to get away for the summer from heat in the city.

By the 1920s, the elites descended into this province. A specially built gingerbread style railway station was built to welcome the Thai royalties. The Thai King, Rama VI, in 1923, was the first King to build what is now known as “the longest golden teak palace in the world” the Maruekhathaiyawan Palace, on stilts, by the sea not far from Hua Hin.

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The Langkawi art group meeting at their regular home for inspiration and aspiration.

Langkawi island is not as well-known for its artistic and cultural heritage as the Indonesian island of Bali. It also has a long way to go to catch up with the tourist industry of Phuket which is a little to the north of the Andaman sea. But what these three islands have in common is their 550 million-year-old geological heritage, their surrounding seas and unique tropical landscape and weather.

However, neither Bali nor Phuket (so far) have been awarded the geopark status by Unesco. Langkawi was given the world geopark award in 2007. With joint research between LESTARI of UKM and LADA, the island’s ecotourism concept fulfilled all the international requirements of a geopark.

Artists from all over the world have been making  their way to South-East Asia, especially Bali, for over 60 years and many never left. One of the most famous early European artists, Walter Spies (1895-1942) was living and working in Ubud, Bali, from the 1930s till his death in 1942. He and his artistic friends helped put Bali artists and art in the Western art market.

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A Penan family home, in the forest near Bario, Sarawak.

The Penan is one of the 200 (more or less) riverine and hill-dwelling indigenous Dayak people of Borneo; the third largest island in the world. About three quarters of the island is Indonesia’s Kalimantan; Malaysia’s Sarawak (biggest state) and Sabah occupy almost a quarter; with Brunei just about one per cent of Borneo’s land area.

Each ethnic subgroup has its own dialect, customs, laws, territory and culture. These Austronesian speaking peoples must have migrated here more than 20,000 years ago when the Southeast Asian landmass was not yet under water as it is today. As the sea rose, some Dayaks became seafarers too.

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Hu-Kun, artist from China,’Taming the Tiger’, ink painting

The tiger, now an endangered species of wild life, mainly due to increasing number of poachers and deforestation, is found only in a few natural habitats. We are fortunate that in the Malayan jungle, in the 1950s (though they were already being hunted then), there were about 3,000  of these magnificent creatures.

Now it’s estimated that only 500 are alive (WWF sources).

Our nation’s emblems, crest and coat-of-arms, proudly carry the signs of the tiger. We also put the “tiger” in our car petrol tank. Many drink the “tiger” beer. And the Malayan Banking logo also uses the tiger as a symbol of strength and national pride.

In India, there are only 1,200-1,500 White Bengal tigers around. The Siberian tiger is down to 350-450 in the whole of Russia. Thailand and Vietnam have about 1,000 Indo-Chinese tigers. Sumatra has between 400 to 500 of their Sumatran creatures. The tigers in China are almost extinct except for those kept in their zoos.

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Langkawi, the magnificient karst landsacpe of Kilim

Why do people visit Langkawi? A lot of people go there to buy or sell duty free goods. Some go there to buy or sell airplanes during the annual international air show. Tourists go to the islands for the beautiful tropical beaches and sun. Others go there to work in the tourist industry, the main economic backbone of the island.

However, there is a growing number who go there not just for its unique geographic settings of the hills, sea, beaches and sun but to know more about its 550 million years old geological history and its landscape.

In 2007, Langkawi, part of the state of Kedah, was given a new concept, geopark, by Unesco. Not long ago it was popularly called eco-tourism and before that, it was fragmented into nature, marine, forest and cultural reserves.

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