Alang’s special halal date cake for all Muslim celebrations.
Alang the creative entrepreneur with one of Victor Chin’s painting which he bought.
Alang and Victor Chin, Malay Mail, May 23,1988, caught in the act of salvaging the Selangor Club grass from extinction.
Two old friends
My old friend, Alang, from the 1980s, is back in Kuala Lumpur, visiting frineds and bringing his cake. He and his family live in New Zealand. In 1988, we were both called ‘romantics’ for attempting to salvage the ‘cow grass’ from the Royal Selangor Club padang from extinction. At that time Cityhall was digging up the century old public common ground to make room for an underground car park, shops and the tallest flagpole. Cityhall officials threaten to take us to court for ‘theft of missing turf’. But it was the most celebrated public artistic and poetic performance art at the time.
Of course it was done in the name of development and progress for the city. But since then the underground structure had been flooded many times, many shops owners have moved out and car owners are fearful to park their car there. Furthermore, the barriers around this area prevents the public access. The city forks and visitors are also deprived of a much needed open space, to kick a ball about if they wanted to or to take in the best view of our inherited colonial architecture legacy.
However, for a bit of Hari Raya cheer, Alang has brought in new brand of Hari Raya Cake, Kak Tamr’ Cek Wan, and he is still the creative entrepreneur as he always has been. This is probably the first branding of a cake especially for those who are Muslim and likes cakes for themselves or as a gift for various occassions. This is a delicious aromatic date cake.
To place a order please call Alang hp: 017 339 4870.
The group photo of all the ASEAN deligates
Nurul at work with her mother Wairah
Seng Kit showing one of his line drawings with his mother Jenny
Art for All 2008 Thailand
This year, there were three ASEAN delegates, from each of the ten member countries in this region, invited to the event. One of the delegate, from each country, is a disabled person who has been chosen to represent their country in the art form they each excelled in.
Malaysia had the two artists at the camp. Tan Seng Kit was supported by his mother Jenny Soh and Nurulakmal was accompanied by her mother Wairah Marzuki. Seng Kit is good with his lines drawings and he makes his lines do intriguing designs on the paper. Nurul is accomplished in lines, shapes and colours and comes up with unexpected artworks occasionally.
Maman Sulaeman is a well known comic artist from Indonesia and he does his artworks from a wheelchair. Jesusa from the Philippines is an artist, singer, wheelchair table tennis player and a lawyer and she does mainly watercolours with great skill. Jushua Tang from Singapore is autistic but can do fantastic imaginative pictures. Pun Denh from Cambodia is a wheelchair dancer and a musician. (Just to name a few.)
The five days at the art camp was a crashed course in human relationship and cooperation through the media of art, music and dance.
Victor Chin, Pulau Perhentian No.45 (detail), 2007, acrylics on canvas, 85 x 120 cm
This is the latest painting, in the Pulau Perhentian series, which was inspired by the South China Sea, in the east cost of Malaysia and Victor Chin continues to explore the theme with new visual variegations.
This mixture of olive green, light green, light blue, under glazed red and yellow patches is covered over with streaking pale white marks and drippings. The artist, in this work, is letting the shapes, forms and lines shift themselves freely, into submission, in making this abstract construction.
Looking at this artwork, one may be lead, to imagine being in an undersea cave, with millions of stalactites, hanging from the roof of the cave. To others, who have been inside a medieval Islamic building, they may well recall being overwhelmed by the extraordinarily complex coloured tile patterns found on the walls and ceiling of those magnificent structures.
In any case, the pleasure here, is, to see it as what you most like it to be. Enjoy.
Victor Chin, Pulau Perhentian No 38 (detail), 2006, acrylics on canvas, 120x85cm
This painting is a sea of semi-transparent red and dark paint marks that may suggest, like the other works in this series, the undersea marine life. If you have seen a school of fish swimming restlessly in the sea, you would have noticed their iridescence colours changes according to the angle they are swimming in and it also changes depending on the angle they are viewed.
This piece of work attempts to convey the agitated and tranquil moments of nature in the sea below. Of course, this picture is a static inanimate object and it requires that the viewer triggers their own imagination to see what the painter is trying to do here.
In the end, some observers may just be interested in the pleasure of looking at the painterâ€™s unique use of lines, shapes, textures and colours and have their own different impression in mind. That is part of the unexpectedness of looking.
Victor Chin, Pulau Perhentian No 25 (detail), 2005, acrylics on canvas, 85x120cm
This abstract image, filled with refracted yellow light of tropical waters, suggests a vibrant marine life surrounding the islands of the East Coast of Malaysia, where Pulau Perhentian, is just one of them. In this visual construction there are many different brush marks, lines and shapes, all pointing to the varieties of colourful fishes, sea shells, jelly fishes with their long tentacles etc.
One of the ways to enjoy this work, is to get really close to the surface of the painting and squinting your eye, gradually make out, from your our experience, some of your own memories of being in the undersea world. Your own recollection, will no doubt, add to the deeper pleasures of looking at a work of art like this one.
Could it be an oriental calm or turbulence or both? Its hard to tell.